Daniel Kremer

Xenolith Atlas

Even Just

Ezer Kenegdo

Now, Irving Rapper

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

Arid Cut

William Wyler: Forty Takes Willy

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

David Cronenberg Presents Wireless Internet

The Wind Blows Where It Wishes

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget

Survival Scars: Franklin J. Schaffner as Auteur

Ben Fries the Slaves

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

Clear Lines of Sight: Sidney J. Furie at Paramount

Jack of Three Trades: In Focus on Nicholson the Director

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures

Elective Vicissitudes: The Radical Exiles of Jules Dassin

The Fourth Movement

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

Dead Neon: The Many Faces of Lenny Bruce on Film

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

Danny and the Scatman